The WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for a new ease of operation. Three separate fader sections and a Custom Controls section can be tailored easily and intuitively to meet your personal requirements. No matter if you need a specific bus send fader next to the corresponding channel fader, or a dedicated “money” channel always at your fingertip, or even sharing the surface with two engineers - WING can be configured to elevate your production to a new level. You can even replace and customize the massive wooden armrest with something funkier if you like. The beauty of this is that you can label Sources using our WING Co-Pilot app while patching on stage and no matter if the signal is patched to a channel, to SD recording or to any other output, you will always see and refer to that Source. All 48 input channels and 28 bus mixes can be used for mono, stereo or mid-side sources. Assigning a stereo source to any channel automatically renders the channel stereo, and its stereo imager stage provides control over width from 150% stereo down to mono. The console does not need a reboot to apply any mode changes. Their channel, bus and subgroup configuration can be changed any time on the fly. See why it is a WING? With 374 inputs and 374 outputs, a lot of digital connectivity is required. WING provides 3 AES50 SuperMAC audio networking ports for connecting digital stageboxes or sharing up to 144 input and 144 output streams with other mixing consoles. There are 48x48 channels of USB audio and another 64x64 channels of Audio over IP (AoIP module optional), plus AES/EBU stereo I/O. The WING expansion card slot, featuring the LIVE SD recording card or accommodating option cards for various standards, such as ADAT, MADI, DANTE, and WSG, offers another 64x64 channels of audio in/out. The brand new Klark Teknik StageCONNECT interface allows transmission of 32 channels 24-bit audio with sub-millisecond latency, together with control data and 18 W of power over a single standard microphone cable. Given its flexibility and ease of use, this may well become the future of XLR. We are considering opening our implementation to other developers, allowing them to create their own projects featuring StageCONNECT.
8 award-winning Midas PRO mic preamps and 8 Midas PRO outputs onboard
24 motorized 100 mm faders in 3 separate, fully configurable sections
"Plug and play" remote I/O connectivity for up to 144 input and output signals over 3 AES50 ports featuring Klark Teknik’s SuperMAC technology for ultra-low jitter and latency
Large main display with capacitive touch screen and adjustable display swivel
Unique touch-sensitive channel editing section with 11 rotary controls and dedicated color TFT for staying on top of all channel properties
Optional module for 64x64 channels of audio over Ethernet – supporting WAVES SoundGrid Technology or Dante/AES67 Technology
48 x 48 channel USB 2.0 audio interface onboard with DAW remote control emulating HUI and Mackie Control
Dual-SD card live recorder/player with up to 64 tracks and markers for identifying song positions
Additional 4-channel control section with rotary controls, buttons and parameter display for permanent access to mains, matrices or "money-channels"
Premium FX rack with 8 true-stereo processors and world-class TC algorithms, Lexicon, Quantec and EMT emulations
Standard FX rack with 8 true-stereo processors for a wide array of modulation, EQ, dynamics etc.
- also allows blending outboard effects to the mix
5 variable plug-in processing slots for all 40 stereo input channels, featuring the most iconic vintage analog equalizers and compressors, plus insert FX slot and 4-band parametric EQ for all 8 stereo aux channels
Custom Controls offering 16 latching or momentary buttons and 4 rotary controls, easily being configured for preferred functions
4 main, 8 matrix and 16 aux stereo buses, featuring dual inserts, 8-band parametric EQ's, stereo imager and full dynamics processing
2 Ethernet ports with integrated switch for networked remote control
Built-in expansion port for optional audio interface cards or digital networking bridges, MADI and ADAT/WC
StageCONNECT 32-channel low-latency interface for personal monitoring or analog I/O boxes, AES/EBU stereo digital in and outputs on balanced XLR, 8x8 balanced TRS auxiliary line in and outputs, 2 TRS phones connectors, MIDI I/O and 4 GPIO ports